The LUMIX PRO program is designed to support LUMIX users when they need it the most, with a range of benefits available to members not only in their own countries but also in countries that they visit for work. The LUMIX S-S18 is a qualifying product for the LUMIX PRO program. Panasonic and L-Mount system alliance is committed to the development of L-Mount lenses for the further expansion of its lineup to fulfill the needs of customers. The robust, dust and splash-proof 2 design even allows use in harsh conditions down to 10 degrees Celsius below zero. With its compact design and low weight of 340 g, the lens is amazingly mobile, especially on the LUMIX S5, currently Panasonic's smallest full-frame model. Together with micro-step iris control for smooth exposure changes, this enables professional-quality video recording. When shooting video, a mechanism in the lens suppresses "focus breathing", an unsightly problem with all interchangeable lenses designed for still photography. The degree of focus shift in relation to the angle of rotation can be selected from 90 to 360 degrees in 30 degree increments to provide the desired focus character 1. With manual focusing, non-linear adjustment, the focus is shifted by a variable amount according to the speed of rotation of the focusing ring, while in linear adjustment, the focus is shifted by a specific amount according to the angle of rotation of the focusing ring. ![]() The lens works smoothly and silently with the camera's fast AF system, reading the sensor at a maximum of 240 frames per second. A circular aperture of 9 aperture blades provides beautiful bokeh. ![]() The three ED lenses effectively suppress chromatic aberration. Three aspherical lenses ensure both high imaging performance as with all lenses in the F1.8 series. The lens consists of thirteen lens elements in twelve groups, including three aspherical lenses, three ED (Extra-Low Dispersion) lenses, one UED (Ultra Extra-Low Dispersion) lens and one UHR (Ultra High Refractive Index) lens. Its shortest distance setting of 0.18m extends its application possibilities at close range. Thanks to its extremely wide angle of view, the 18mm lens is suitable for a wide range of applications such as landscape, astro, and architectural photography. With the complete set of LUMIX F1.8 fixed focal lengths, virtually all situations and subjects can be covered, simplifying the workflow in shooting and post-processing. Thanks to the uniform diameter, the same 67 mm filters can be used. The center of gravity of these lenses is nearly identical, so when the camera is mounted on a gimbal, a quick lens change with minimal balance adjustment is possible. The 18mm F.8 (S-S18) will be available from October 2022 for £799.99 RRP.Īll five F1.8 fixed focal length lenses in the full-frame LUMIX S series - including the 85mm lens (S-S85), the 50mm lens (S-S50), the 35mm lens (S-S35), the 24mm lens (S-S24) and the new 18mm lens (S-S18) – are uniform in size and position of the controls. Despite its large aperture and compact size, it offers high optical performance that exceeds the highest professional quality standards. It is the fifth high-speed F1.8 lens in the LUMIX S Series L-Mount system. Besides, you need to mind the compatibility rules, as some lenses are suitable for crops cameras only.7 th September 2022 - Panasonic has announced the expansion of its LUMIX S lens range with the 18mm F1.8 (S-S18), a new super wide-angle lens with a 100° angle of view. A lens that produces a really wide view on full frame cameras, can “behave” differently when attached to a crop sensor device.įor instance, a 35mm lens is perfectly wide for the cheapest full frame camera but it becomes a 56mm lens on a model with an APS-C sensor. Sensor size is an important parameter to consider if you are on the lookout for a truly wide angle lens. Anyway, this unpleasant issue may be easily solved in any photo editing software like Lightroom or Photoshop. Some lenses for astrophotography have a low level of distortion throughout the frame while others are visible only at the shortest end. The focal length and the lens influence how visible it will be. Mind that an ultra wide angle lens will produce some distortion on the outer edges. ![]() Don’t forget to check what is happening in the outer edges of the shot while going wider. ![]() Choose a 11 or 16mm Canon wide angle lens if you want more space to work with as well as achieve a dramatic effect. A 35mm lens is quite wide without producing a distorted feel. There is a well-known rule: the wider the lens is the more surroundings, scenery and, of course, people will be in the frame. Are you eager to purchase Canon wide angle lens? Then take into consideration some important points to choose a nice gear from APS-C lenses from Canon, Sigma, Tamron, and Tokina.
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